Writing Lyrics for Songs

Writing Lyrics for Songs Writing Lyrics for Songs Writing Lyrics for Songs By Michael It used to be that when people thought of songwriting, they didnt think of great writing. Then Bob Dylan won the Nobel Prize for literature. Dylan wasnt the first songwriter whose work has been respected by literary critics. You might be surprised how much ancient poetry was originally written to be sung. From certain vanished cultures, songs are the only literature that has survived. Before the invention of mass media technology, songs were the mass media the original news media. So if youre a songwriter, be proud. You have a distinguished and honorable heritage. Writing poetry or verse is good training for any writer. The discipline of a poetic structure teaches you rhythm and beat, which is part of language itself, as texture is part of paint. Yes, we all dislike limits to our creativity. But occasionally having to fit your writing into a rhyme or a meter doesnt hamper your creativity, it can enhance it. Dont you sometimes have trouble thinking of the next word to write? But once you know that word needs to rhyme with stone, or that it needs to begin with an unaccented syllable and end with an accented syllable, it might become easier to find the word. Even if you would never consider yourself a songwriter, in some ways writing song lyrics is better training than simply writing poetry or verse. Remember you dont need to be a musician to write the lyrics to a song. Someone else can write the music. But when you write poetry to be sung, you benefit from a stricter discipline and get a better education in writing. The school of lyrics When you write poetry that isnt meant to be heard (and most poetry should be heard), you can easily escape some of the discipline that you are supposed to be learning from. Personally, I cant tell if Im following the right metrical scheme unless I read what Im writing out loud. But if I have to sing it, the melody enforces the rhythm. It forces me to limit the number of syllables in the line, just as Im supposed to. Theres still room for flexibility, as I call it, or cheating, as you may call it. If you are an experienced singer, maybe you can slip in extra syllables or stretch out a syllable to make the words fit the tune. But another singer might not be able to do it so smoothly nor may they want to. If you want to write a song that is sung widely, even by the public, Im afraid you need to make the syllables fit neatly with the tune. This hard limit of so many syllables per line can drive a lyricist to frustration or possibly to jazz. Jazz is one musical tradition that welcomes improvisation and therefore welcomes longer line lengths. But again, irregular rhythms are harder to memorize, which is why few people sing John Coltrane on the way to work or school. While other writers can write longer sentences, paragraphs or chapters whenever they want, a lyricist may have to fit his or her thoughts into lines of ten words, or verses of four (not three) lines. I have been writing songs for most of my life, but the challenge of fitting words into a limited line makes me very slow. I can rarely fit a complete thought in one line; I frequently cant fit a single thought in a single verse. I wrote a Christmas song of five verses at the rate of one verse a year. Words and music Which comes first: the lyrics or the melody? That depends on the songwriter. The Broadway musical team of Richard Rodgers and Oscar Hammerstein II wrote lyrics first, then music. Same with pop star Elton John and Bernie Taupin, his lyricist. But other songwriters, such as Paul Simon, usually start with the melody. Sometimes the lyrics and the melody are created together, in a jam session or a recording studio. Early in their career, John Lennon and Paul McCartney of the Beatles would write eyeball to eyeball as Lennon put it. Competing with each other helped their songs and hurt their relationship. In â€Å"track and hook† songwriting, a producer records basic elements such as the rhythm and chord progression and sends out the recording to â€Å"top line writers† who add other elements, such the hook, verses, chorus or bridge. For Gilbert and Sullivan of light opera fame, W.S. Gilbert would send lyrics to Arthur Sullivan by mail, as I recall. Sullivan would open the envelope, read the lyrics, then go for a walk, no doubt humming to himself. By the time he returned from his walk, he would have a tune fixed in his mind. Tips for writing lyrics Live songs dont rewind. Unlike readers of a book, listeners at a concert who didnt catch a word or a line cant go back a page and re-read the part of the song they missed. In his article 24 lyric-writing tips, Chris Wickett says, Remember that the listeners might miss a word, or a line, or three. Dont rely on just one small line to put the whole song in context. Dont over-rhyme. Structure is good, but too many rhymes can sound cutesy or annoying. A song can tolerate slant rhymes better than it can tolerate missing syllables. Be short, simple, and sweet. Graham English calculates that Bruce Springsteens Born to Run album averages 281 words per song. The Beatles’ Abbey Road averages 102 and Let It Be averages 139. Be specific, be intimate, be concrete. Andrea Stolpe who teaches songwriting at Berklee Online and the University of Southern California, says, Bring your listener into an experience of a small moment. Tell a story that shows your heart. You dont need to be profound. Jesse Sterling Harrison advises lyricists to be just slightly enigmatic. Nor do you need to be grandiose. No! I am not Frank Sinatra, nor was meant to be. Dont rush yourself. Rod Stewart says, Ill come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. Accept criticism but dont be too critical. Your lyric wont be instantly perfect, but if you can take advice, you can improve faster. Be quiet. James Taylor told NPRs Noah Adams, I think songs need to come out of really, out of a state of boredom almost as much as anything else. You need to have empty time in order to receive them. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Freelance Writing category, check our popular posts, or choose a related post below:Masters Degree or Master's Degree?225 Foreign Phrases to Inspire YouWhat’s the Best Way to Refer to a Romantic Partner?

Avoid Gratuitous Capitalization

Avoid Gratuitous Capitalization Avoid Gratuitous Capitalization Avoid Gratuitous Capitalization By Mark Nichol As an editor, I devote much of my time and energy to helping a writer bring out the best in his or her prose, but a lot of effort also goes into minor but nagging errors unnecessary capitalization among them. Long after the Roman alphabet was developed, only one form existed: the capital form. Along the way, a parallel form, known as lowercase developed. (The term lowercase derives from the fact that stamps for printing letters using this style were kept in rows of cases located below those housing the uppercase, or capital, letters.) Now, capital letters are used in a limited number of functions: primarily, for the first letter of the first word in a sentence or of a proper noun, and for denoting acronyms and initialisms. Unfortunately, many amateur writers, and a number of professionals, clutter their writing with gratuitous capitalization because of a misunderstanding of or a disregard for orthographic conventions. For example, many people do not realize that when the name of an entity such as an organization is reduced to one word, that word is generally treated without initial capitalization, as in â€Å"the association† (not â€Å"the Association†) as shorthand for â€Å"the American Automobile Association.† One complication is something that can be blamed on institutional pride, as when a university’s literature describes how â€Å"the University’s student-life environment is very rich† or on corporate branding efforts, as in â€Å"the Company is here to serve your needs.† Such gratuitous capitalization is entrenched in traditional legal writing (for example, â€Å"the Plaintiff’s claim is upheld†), but both in that context and in general prose it is distracting. Whenever you’re tempted to capitalize a word, specific to your field of interest or endeavor, that is not a proper noun, check its treatment in the lay literature books, nonscholarly periodicals, newspapers, and websites. Often, you’ll find that the word is treated generically, and I hope that you’ll realize that unless the word is strictly a proper noun, there’s no justification for aggrandizing it with an initial capital letter. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:How to Format a US Business LetterThat vs. WhichTypes of Plots